No more abstracts will be accepted after 5th December 2017.
This interdisciplinary conference aims to explore the wide variety of women’s engagement with literary and theatrical cultures in the long-nineteenth century as authors, performers and audience members. Literary and dramatic pursuits brought women into the public consciousness not only as creators and critics, but also as fans and consumers.
This conference develops the transdisciplinary perspectives of fan studies and audience engagement research back into the pre-twentieth century era. Scholars are invited from the fields of literary studies, social history, cultural studies, readership studies, book history, fan studies, and history of leisure and recreation to foster dialogues on the subject of nineteenth-century female creativity.
We invite proposals of 300 words for 20 minute presentations relating to the conference theme. If you cannot afford to travel to the venue, submit a poster idea!
Topics may include, but are not limited to:
• Responses to women’s literature – reviews, articles in periodicals and newspapers, letters written to female authors, advice on reading offered to women
• Women’s ephemera – scrapbooks, commonplace books, marginalia, correspondence, diaries
• Female authors in conversation – intertextual references to other works, correspondence between authors and/or publishers
• Gender and performance – theatrical and musical fandoms, public readings of poetry and prose, women’s public speaking
• The promotion and marketing for cultural events and publications featuring women, and/or aimed at a female audience
• Women and the literature of professionalization – scientific articles, monographs, medical treatises, autobiographies/biographies of prominent female professionals
• Gender and performativity – writing under gendered pseudonyms, the ‘feminisation’ of genres such as the gothic and the romance
Please send your abstract, and a 100 word biographical note, to organiser Evan Hayles Gledhill by 30 November 2017 at: email@example.com